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<P><CENTER><B>Pamela Joseph, The Calendar Girl Series</B><BR>1996-97, 44&quot; x 35&quot;; Oils and Heat Transfers on Paper, Laminated.<P>
Show Dates: October 14 - November 15, 1997<BR>
Openning Reception: 6-8 pm, October 16th, 1997<BR>
Location: Sylvia White Gallery, 560 Broadway #206,<BR>
New York, NY 10012 Tel:212.966.3564
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1998 Calendars available for $19.98</CENTER>

<P>&nbsp;&nbsp;&nbsp;&nbsp;The Calendar Girl Series is a contemporary reinterpretation of the historic pin-up image found in auto body shops through the 1970's. My early paintings
for over twenty years were airbrushed lacquers and urethanes on aluminum,
techniques better found in repair shops than in artist studios. In those
days, women were on the premises only as customers, or on the walls. My
ongoing work concerns the complex roll of women in today's culture. Memories
of machoism, coupled with the violence in our culture, are elements that
contributed to this current series. The Girls are painted in oils, with
heat transfers, on full-size police shooting targets, then laminated and
hung by grommets on the wall. To complete the 'tongue in cheek' Dada concept,
the paintings have been reprinted into a 1998 Calendar that will sell for
$19.98.

<P>&nbsp;&nbsp;&nbsp;&nbsp;The woman of the month is a composite of the complex facets of the personality
embodied by that month's events. For example, Miss December who is black,
is sitting up smartly, popping up out of her Box, combined with a handicapped
Santa that has been in my family for generations. A comment on the artworld
is presented by the lushly brushed spruce trees in a technique espoused
by the late artist and television instructor Bob Ross. This type of Dada
irreverence, humor and juxtaposition of contrasting attitudes is typical
of the series. My paintings serve only to enhance woman's stature.
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